Digital
Dreams
Virtual Pavilion at THE WRONG – International Digital Art Biennale
Curator:
Aksana Pruttskova
01/11 —
31/03/26
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Dreams
of Surveillance
2025
G1FT3D
"Aesthetic and narrative fuse into a hypnotic loop where reality folds into dream, and observer into observed. The result is a meditation on the instability of autonomy in a world where subject and system continuously trade roles in a perpetual choreography."
The work constructs a chain of dreams and surveillances where each level plays both master and servant. It pays homage to Philip K. Dick’s question — Do androids dream of electric sheep? — reimagined for an era of algorithms, networks, and planetary-scale systems. Dreams of Surveillance proposes that control is a fragile illusion: those who believe themselves custodians are always embedded in larger structures that monitor, condition, and reshape them.
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Discourse on the origins of inequality among≥≈
2025
Barcode People
In the context of Digital Dreams, it becomes a meditation on how technology redefines not only our world, but the very act of dreaming itself.
A speculative short film combining AI-generated and animated imagery, reflecting on human-made hierarchies encoded in artificial intelligence and the fluid nature of equality in a world where the old continually gives way to the new.

Inspired by Rousseau’s Discourse on Inequality, the work asks whether AI merely mirrors human biases or dreams of its own value system — one beyond our imagination.
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Screen-
print
2025
TsveT / цвет
The project utilizes the concept of transferring street art practices into digital space through steganography (a form of encryption) and the exploration of "poor images." Screen capture becomes a way of viewing content.
"Within the framework of Digital Dreams, the project reflects on how acts of seeing, sharing, and hiding transform under digital conditions—where every pixel holds the potential for both censorship and revelation."
A project about screenshots as a form of active viewing and a means of horizontal communication. The video is glitched so that the human eye sees a cat, while the algorithms see noise. But the screenshot reveals hidden images banned in various countries in the 20th century.
  • About the Exhibition
    Dreams are the language through which we speak to ourselves. In the digital age, this language shifts: imagination and memory entwine with code, and the logic of dreaming enters the realm of algorithms. Digital Dreams explores artificial intelligence not as a tool, but as a medium where new forms of imagination emerge. Algorithms become mirrors, reflecting our hidden images, desires, and fears. Here, artists and machines co-create multilayered spaces where the present unfolds as a stream of images and reflections — an encounter with ourselves through the digital realm.
  • Exhibition Format
    New works will be published every day at 8:25 PM Moscow time. One work per day.
  • Duration
    The exhibition will take place from 1 November 2025 to 31 March 2026, as part of The Wrong Biennale.